Rhuthmos

Rhythm and the Mediation of Modern Experience

Michael Cowan — 2016-02-17T06:00:00Z

Ce texte est l'introduction de Technology's Pulse. Essays on Rhythm in German Modernism, London, Institute of Germanic & Romance Studies, 2012, ouvrage dont on trouvera la présentation ici. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire sur RHUTHMOS.

Advertising, Rhythm, and the Filmic Avant-Garde in Weimar : Guido Seeber and Julius Pinschewer's Kipho Film

Michael Cowan — 2016-02-16T06:00:00Z

Ce texte a déjà paru dans la revue October, N° 131, Winter 2010, p. 23–50. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire ici.

The Heart Machine : “Rhythm” and Body in Weimar Film and Fritz Lang's Metropolis

Michael Cowan — 2016-02-14T08:08:11Z

This article was first published in MODERNISM / modernity, Volume 14, number 2, The Johns Hopkins University Press, 2007, pp. 225–248. It can also be found online here.

Advertising, Rhythm, and the Filmic Avant-Garde in Weimar : Guido Seeber and Julius Pinschewer's Kipho Film

Michael Cowan — 2014-03-10T07:32:05Z

Ce texte a déjà paru dans la revue October, N° 131, Winter 2010, p. 23–50. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire ici.

In September of 1925, readers leafing through Der Kinematograph or Lichtbildbühne or another such film journal might have encountered a strangely familiar sight : in an advertisement for a major exhibition of the German film and photography industries entitled “Kipho” (“Kino und Photo”), which was to be held in Berlin from September 25th to October 4th, there appeared the following sentence : “You must go to the Kipho ! [Du musst zur Kipho gehen ! ].” With its enigmatic injunction, the advertisement recalled another famous advertising campaign from the early days of Weimar cinema, namely that surrounding Robert Wiene's The Cabinet of D^r. Caligari (1920) . In the weeks before Caligari 's release, advertisements had appeared in the public spaces of Berlin—and in trade journals such as Der Kinematograph—containing the enigmatic sentence “You must become Caligari ! [Du musst Caligari werden ! ].”

Rhythm and the Mediation of Modern Experience

Michael Cowan — 2013-02-15T17:52:00Z

Advertising, Rhythm, and the Filmic Avant-Garde in Weimar : Guido Seeber and Julius Pinschewer's Kipho Film

Michael Cowan — 2013-02-13T07:00:00Z

Ce texte a déjà paru dans la revue October, N° 131, Winter 2010, p. 23–50. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire ici.

In September of 1925, readers leafing through Der Kinematograph or Lichtbildbühne or another such film journal might have encountered a strangely familiar sight : in an advertisement for a major exhibition of the German film and photography industries entitled “Kipho” (“Kino und Photo”), which was to be held in Berlin from September 25th to October 4th, there appeared the fol- lowing sentence : “You must go to the Kipho ! [ Du musst zur Kipho gehen ! ].” With its enigmatic injunction, the advertisement recalled another famous advertis- ing campaign from the early days of Weimar cinema, namely that surrounding Robert Wiene's The Cabinet of D^r. Caligari (1920) . In the weeks before Caligari 's release, advertisements had appeared in the public spaces of Berlin—and in trade journals such as Der Kinematograph— containing the enigmatic sentence “You must become Caligari ! [ Du musst Caligari werden ! ].”