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		<title>Rhythm and Sense in the Philosophy of Levinas
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		<dc:date>2019-07-16T08:00:22Z</dc:date>
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		<dc:creator>Masato Goda
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&lt;p&gt;N'ayant pas r&#233;ussi &#224; joindre Masato Goda, nous publions ce magnifique texte sans son autorisation. Nous esp&#233;rons qu'il nous en excusera (PM). It has been more than thirty years since I discovered the texts of Emmanuel Levinas. Before publishing the Japanese translations of Totality and Infinite and Otherwise than being, I published an anthology of Levinas' work that included texts such as &#8216;&#8216;Il y a'', &#8216;&#8216;Reality and its shadow'' and so on. While I translated these texts, I noticed the (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.rhuthmos.eu/spip.php?rubrique25" rel="directory"&gt;Philosophie &#8211; Nouvel article
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 <content:encoded>&lt;div class='rss_texte'&gt;&lt;p&gt;&lt;i&gt;N'ayant pas r&#233;ussi &#224; joindre Masato Goda, nous publions ce magnifique texte sans son autorisation. Nous esp&#233;rons qu'il nous en excusera (PM).&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;BR/&gt;&lt;/p&gt;
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&lt;p&gt;It has been more than thirty years since I discovered the texts of Emmanuel Levinas. Before publishing the Japanese translations of Totality and Infinite and Otherwise than being, I published an anthology of Levinas' work that included texts such as &#8216;&#8216;Il y a'', &#8216;&#8216;Reality and its shadow'' and so on. While I translated these texts, I noticed the importance Levinas accorded to the notion of &#8216;&#8216;breaking of rhythm'' as well as to that of &#8216;&#8216;rhythm'' itself, either when he compared &#8216;&#8216;il y a'' to the prose poem by Edgar Alan Poe in &#8216;&#8216;Il y a'' or when he stressed the musicality of image in &#8216;&#8216;Reality and its shadow''. But I've not been able to develop this topic for long time, until I read the first and the second volume of Levinas' Complete Works where we can find several very significant fragments on rhythm. [...]&lt;/p&gt;&lt;/div&gt;
		
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